‘Three barks’ print from an original triptych in watercolour by Rosemary Dodgson
Print 35.5 x 51cm, giclee (fine art quality) on 300g rag paper, from an original triptych in watercolour, edition limit 10. Each print comes with a signed & numbered certificate of authenticity. Free shipping and packaging in the UK.
I completed a commission to paint four of the wooden pew ends for one of our local churches at Swavesey and I so enjoyed doing the patina of the wood that I looked around for something similar and the Tibetan Cherry (the red one on the right ) came to mind so I went to the winter garden at Anglesey abbey and did a sketch and then painted the piece at home. I added the other two , a Papery Birch – again from Anglesey Abbey on the left and a Plane tree in the middle. The plane tree has extraordinary colour as it was growing in a street in Barcelona and I presume this was caused by the climate there; in this country it would be much duller – green and brown. Hoping that you like these – at my Cambridge Open Studios exhibition many people initially thought that this was a photograph! I loved doing this painting and I hope to do more bark combinations in the future.
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Rosemary Dodgson Artist...the flower painter
My particular interest is in the drawing and painting of plants through the media of pencil, pen and ink, acrylics and watercolours, but I also greatly enjoy portrait painting using chalk pastels, where I specialise in animal pictures. I enjoy creating a diverse portfolio based on the subjects that inspire me. I tend towards very realistic representations but also enjoy breaking out into looser approaches every so often!
My background was firstly as a horticulturalist. I was a Parks Manger in the London Borough of Redbridge for 8+ years, following which, I taught horticulture at Capel Manor College of Horticulture, Enfield.
After this, my career diverted from horticulture but I was lucky to be able to continue my connections to plants through botanical art and I undertook the English Garden School botanical illustration course at the Chelsea Physic Garden, London.
I offer occasional workshops, undertake commissions and exhibit through Cambridge Open Studios. I enjoy interacting with clients and I have found that a remarkable number of people are interested in the background to my paintings, whether they are in a position to buy or not; which is great, as we all love talking about things that we are passionate about.